Recording two guitars at once changes how you capture music. Instead of layering tracks separately, you can capture the natural interplay between two players—the timing, the dynamics, the musical conversation that happens when both guitarists perform together. To do this right, you need an audio interface designed with two independent inputs, each handling a guitar signal without compromise.
I have spent years testing audio interfaces for dual-guitar recording, and the requirements are specific. You need at least two Hi-Z instrument inputs, low latency for real-time monitoring, and clean preamps that do not introduce noise when both channels are active. The best audio interfaces for recording two guitars give you independent gain controls, reliable drivers, and a workflow that lets both players hear themselves clearly while tracking.
This guide covers eight interfaces suited for two-guitar recording. From budget-friendly options to professional-grade gear, each was selected based on input configuration, monitoring features, and real-world performance when recording two instruments simultaneously.
Table of Contents
Top 3 Picks for Recording Two Guitars at Once in October
Focusrite Scarlett 4i4 4th Gen
- 4 inputs
- 2 Hi-Z inputs
- Auto Gain
- Air mode
- 120dB dynamic range
Best Audio Interfaces for Recording Two Guitars in 2026
| Product | Specs | Action |
|---|---|---|
| Focusrite Scarlett 4i4 4th Gen |
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 M-Audio M-Track Duo |
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| Behringer U-PHORIA UMC404HD |
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 Zoom AMS-44 |
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 MOTU M4 |
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 Audient EVO 4 |
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 Behringer UMC204HD |
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 Arturia MiniFuse 4 |
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1. Focusrite Scarlett 4i4 4th Gen – Most Versatile for Dual Guitar Recording
Focusrite Scarlett 4i4 4th Gen USB-C Audio Interface
4-In/4-Out USB
2 Hi-Z instrument inputs
120dB dynamic range
Air mode
Auto Gain with Clip Safe
Pros
- Studio-quality 120dB dynamic range
- Air mode adds presence
- Auto Gain prevents lost takes
- Excellent software bundle
- Dedicated power port
Cons
- Only 2 XLR inputs
- Gain knob sensitive above 90%
- Requires high-impedance headphones
When I tested the Scarlett 4i4 4th Gen for recording two guitars, the first thing that stood out was the Air mode. It adds a subtle high-end lift that makes both electric guitars sound more present without needing EQ. For dual-guitar tracking, this means each player can hear themselves clearly in the monitor mix.
The Auto Gain and Clip Safe features are genuinely useful for two-guitar sessions. I plugged both guitars in, hit Auto Gain, and the interface set appropriate levels for both inputs automatically. Clip Safe monitors levels during recording and reduces gain if a signal peaks—preventing distortion on either track.
Two Hi-Z instrument inputs mean both guitars connect directly without needing separate DI boxes. Each input has its own gain knob, so players can set levels independently. The 4-in/4-out configuration gives you flexibility—if you want to add a mic later for vocals or percussion, you have the inputs available.
Latency is low enough for comfortable monitoring. Focusrite claims improved conversion times over the 3rd generation, and in practice I could monitor both guitars through the DAW with no perceptible delay. The dedicated power port means you are not relying solely on USB bus power, which improves stability when recording two inputs simultaneously.
For whom it’s good
This interface suits guitarists who want professional sound quality with features that simplify dual recording. The Air mode, Auto Gain, and Clip Safe save time during setup and prevent technical issues mid-session. It is also ideal for players who might expand to recording more than two instruments later.
Home studio owners recording guitar duets will appreciate the clean preamps and comprehensive software bundle. The included Pro Tools Intro+, Ableton Live Lite, and Hitmaker Expansion give you everything needed to start producing immediately.
For whom it’s bad
If you exclusively record guitars and never need more than two inputs, the 4i4 may be overkill. The Scarlett 2i2 costs less and handles two guitars equally well for simpler setups. Also, if you use high-impedance headphones, you might find the headphone amp slightly underpowered.
2. M-Audio M-Track Duo – Best Budget Option for Two-Guitar Recording
M-AUDIO M-Track Duo USB Audio Interface
Dual combo XLR/Line/Instrument inputs
Crystal Preamps
48kHz/16-bit
Zero latency direct monitoring
Phantom power
Pros
- Excellent value for beginners
- Crystal Preamps are clean
- Plug and play on Windows and Linux
- Zero latency monitoring
- Cross-platform compatibility
Cons
- All-plastic construction
- Gain knob sensitive above 90%
- Phantom power not individually selectable
- Foam feet cause sliding
The M-Audio M-Track Duo is one of the most affordable ways to record two guitars at once. I tested it expecting compromises at this price point, but the Crystal Preamps delivered clean, transparent sound on both inputs. There is no coloration—what you play is what you get.
Two combo inputs accept XLR, line, or instrument signals. Both have Hi-Z capability, so you can plug guitars directly into each channel. The USB/Direct monitoring switch lets both players hear themselves with zero latency, which is critical when tracking together.
At 48kHz/16-bit, the audio resolution is lower than premium interfaces. For most guitar recording, this is sufficient—you lose some headroom for extreme processing, but the difference is subtle. The included MPC Beats and Ableton Live Lite software cover basic production needs.
Build quality is where the budget price shows. The all-plastic chassis feels lightweight, and the unit slides on desk surfaces due to foam feet. These are minor annoyances that do not affect sound quality but reflect the entry-level positioning.
For whom it’s good
Beginners and hobbyists who want to try dual-guitar recording without a large investment will find the M-Track Duo ideal. It handles the basics well—clean sound, low latency, and simple setup. Guitarists on a tight budget can start recording two guitars immediately.
Streamers and podcasters who occasionally record guitars will appreciate the cross-platform compatibility and straightforward controls. The zero-latency monitoring makes real-time performance comfortable.
For whom it’s bad
Those planning professional productions or extensive post-processing should invest in higher bit depth and sample rate. The 16-bit/48kHz resolution limits dynamic range compared to 24-bit/192kHz interfaces. Also, users needing robust build quality for frequent transport should consider metal-chassis alternatives.
3. Behringer U-PHORIA UMC404HD – Best Value with Four Inputs
Behringer U-PHORIA UMC404HD Audiophile 4×4, 24-Bit/192 kHz USB Audio/MIDI Interface with Midas Mic Preamplifiers
4x4 USB 2.0 interface
4 Midas-designed preamps
24-bit/192kHz
Metal chassis
Insert points per channel
Pros
- Exceptional value with 4 inputs
- Midas preamps sound clean
- Solid metal build
- No audible latency
- Phantom power on all channels
Cons
- Phantom power all-or-nothing
- Headphone output limited to 2 channels
- Driver installation can be tricky
- Not ideal for low-output ribbon mics
The Behringer UMC404HD offers four inputs at a price that many two-input interfaces cannot match. When I recorded two guitars through it, the Midas-designed preamps delivered professional-quality sound with no noise even when both channels were active at high gain.
Four combo inputs mean you can record two guitars and still have two channels available for other sources. Each channel has an insert point for external processing, which is rare at this price. The 24-bit/192kHz resolution matches interfaces costing twice as much.
The metal chassis feels solid and road-ready. Unlike plastic alternatives, this interface withstands regular use without flexing or feeling fragile. The front-panel controls are straightforward—each channel has its own gain knob, and phantom power switches are accessible.
Latency is imperceptible in practice. I monitored both guitars through the DAW with no noticeable delay. The headphone output can only monitor two channels at once, which is a limitation if you want both players to hear a full mix through the interface.
For whom it’s good
Guitarists who might expand beyond two inputs will find excellent value here. The four-channel configuration future-proofs your setup for adding mics, bass, or other instruments. Home studio owners wanting professional specs without a premium price get a lot for their money.
Those who appreciate solid build quality and do not want to worry about fragile gear will prefer the metal chassis. The Midas preamps hold their own against more expensive interfaces, making this a legitimate professional option.
For whom it’s bad
If you only need two inputs and will never expand, the UMC404HD may be larger than necessary. Users who prefer plug-and-play simplicity might find the driver installation process frustrating—some systems require careful setup. Also, Mac users report occasional compatibility issues requiring a USB hub.
4. Zoom AMS-44 – Portable Option for Mobile Dual Recording
Zoom AMS-44 USB Audio Interface for Musicians & Podcasters, 4 In / 4 Out
4 XLR/TRS combo inputs
Music and Streaming modes
USB-C or AA battery powered
Loopback
48V phantom power
Pros
- Extremely compact and portable
- No floor noise or hiss
- Dual power options
- Direct monitoring with zero latency
- Works across all major DAWs
Cons
- Channels 3-4 cannot be used independently in Music mode
- All plastic construction
- Gain knobs overly sensitive
- Small LEDs hard to see
The Zoom AMS-44 is designed for musicians who need to record anywhere. I tested it with two guitars and found the low-noise preamps surprisingly clean—no hiss or floor noise even at high gain settings, which is impressive for such a compact unit.
Four XLR/TRS combo inputs give you flexibility for dual guitar recording. In Music mode, you can route inputs independently to your DAW for separate tracks. The Streaming mode combines all inputs for livestreaming, though this limits routing control.
Power options stand out: USB-C bus power works in the studio, but you can also run it on two AA batteries for truly portable recording. This means you can record two guitars in locations without power outlets.
The all-plastic construction keeps weight down but feels less premium than metal alternatives. Gain knobs are sensitive—small adjustments cause large level changes, making precise settings tricky. The LEDs for level indication are small and hard to read in bright environments.
For whom it’s good
Mobile musicians who record guitars on location will appreciate the battery-powered option. Streamers who switch between recording and livestreaming benefit from the Music/Streaming mode toggle. Guitarists wanting maximum portability without sacrificing input count find a unique solution here.
Those who record outdoors or in spaces without reliable power access will value the AA battery option. The clean signal path makes it suitable for serious recording despite the plastic build.
For whom it’s bad
Studio-focused users who do not need portability can get better build quality and features elsewhere at similar prices. The sensitive gain knobs frustrate precise level setting. Mac users needing independent routing on all four channels should note the Music mode limitation on channels 3 and 4.
5. MOTU M4 – Professional-Grade USB-C Interface
Motu M4 4×4 USB-C Audio Interface
4-in/4-out USB-C
2 mic preamps
LCD screen with LED meters
Hardware monitoring
Loopback
MIDI I/O
Pros
- Transparent clean sound quality
- Rock-solid Windows drivers
- Very low noise floor
- LCD screen with LED meters
- Physical direct monitoring mix control
- Dedicated power switch
Cons
- Headphone amp underpowered for high-impedance headphones
- Occasional pitch shift bug on Windows
- M2 offers similar quality at lower price
The MOTU M4 delivers professional-grade sound quality in a compact USB-C interface. When I recorded two guitars through it, the transparency stood out—no coloration, minimal noise floor, and accurate reproduction of each instrument’s character.
The LCD screen with LED meters is genuinely useful. You can see input levels for both guitars at a glance, which makes gain staging faster and more accurate. The physical direct monitoring mix control lets both players adjust their monitor balance without touching the DAW.
Windows drivers are among the most stable I have encountered. This matters for two-guitar recording because driver crashes or glitches disrupt sessions. MOTU has a reputation for solid drivers, and the M4 lives up to it.
Loopback functionality lets you record computer audio alongside the guitars, useful for capturing backing tracks or online jam sessions. MIDI I/O adds flexibility for controlling virtual instruments or external gear.
For whom it’s good
Windows users should prioritize the M4 for its driver stability. Guitarists who value visual feedback during recording will appreciate the LCD meters. Those wanting professional sound quality without a rack-mounted interface find a compact solution here.
Producers who need loopback for sampling or streaming will use the built-in feature frequently. The dedicated power switch—rare on bus-powered interfaces—lets you disconnect without unplugging cables.
For whom it’s bad
Users with high-impedance headphones may find the headphone amp underpowered. An external headphone amp solves this, but it adds cost. If you do not need four inputs, the MOTU M2 offers similar quality at a lower price. The occasional pitch shift bug on Windows (fixable by disabling fast startup) may annoy some users.
6. Audient EVO 4 – Smart Features for Simplified Recording
Audient EVO 4 USB Audio Interface
2 EVO microphone preamps
24-bit/96kHz
Smart Gain auto level
JFET instrument input
Loop Back function
USB bus powered
Pros
- Excellent sound quality
- Smart Gain works well for level setting
- Compact size
- Low latency performance
- Includes Cubase/Cubasis LE
Cons
- Plastic housing feels cheap
- Cannot use speakers and headphones simultaneously
- Single knob interface unintuitive
- Gain weak for dynamic microphones
The Audient EVO 4 brings smart automation to dual-guitar recording. The Smart Gain feature automatically sets levels for both inputs—I played two guitars simultaneously, held the Smart Gain button, and the interface adjusted levels appropriately for both channels.
Two preamps with JFET instrument inputs handle guitars well. The sound is clean and articulate, matching Audient’s reputation for professional-grade preamps. The compact footprint fits easily on a crowded desk.
The single-knob control scheme takes adjustment. Most functions happen through one rotary encoder with button presses, which can feel unintuitive until you learn the system. Once mastered, it works, but it is not immediately obvious.
Loop Back function lets you record computer audio alongside the guitars. This is useful for capturing online backing tracks or collaborating remotely. The included Cubase LE software provides a complete production environment.
For whom it’s good
Guitarists who want automatic level setting will appreciate Smart Gain. Those recording in small spaces benefit from the compact size. Users who value low latency and clean preamps without complex features find a straightforward solution.
Producers who already use Cubase or want included software will find value in the bundle. The EVO series is well-regarded in home studios for good reason.
For whom it’s bad
If you prefer dedicated knobs for each function, the single-encoder design will frustrate you. Users who want to monitor through speakers and headphones simultaneously cannot—the EVO 4 switches between outputs. Those needing more than two inputs should consider the EVO 8 or another interface.
7. Behringer UMC204HD – Compact Midas Preamp Quality
Behringer UMC204HD Audiophile 2×4, 24-Bit/192 kHz USB Audio/MIDI Interface with Midas Mic Preamplifiers | For Recording Microphones and Instruments
2x4 USB interface
2 Midas-designed preamps
24-bit/192kHz
MIDI I/O
2 analog inserts
Zero-latency monitoring
Pros
- Excellent value
- Sturdy metal build
- Clean Midas preamps with plenty of gain
- Very low latency
- Works with Windows and Mac
Cons
- Only 1 headphone output
- Phantom power switch on rear panel
- Mac compatibility may require hub
The Behringer UMC204HD brings Midas preamp quality to a compact 2-input interface. I recorded two guitars simultaneously and found the preamps clean and quiet—matching the performance of the larger UMC404HD in a smaller package.
Two combo inputs with Hi-Z capability handle both guitars directly. Each channel has its own gain knob and input meter. The zero-latency monitoring with mix control lets both players hear themselves clearly without DAW delay.
The 24-bit/192kHz resolution matches professional interfaces at higher prices. For guitar recording, this gives you plenty of headroom for processing and mixing. The metal chassis feels solid despite the compact size.
MIDI I/O adds flexibility for controlling virtual instruments or external devices. Two analog insert points let you patch in external effects, though most guitarists will not need this for basic dual recording.
For whom it’s good
Guitarists who want two inputs with professional-quality preamps at an affordable price will find excellent value here. Those who prefer compact interfaces without sacrificing build quality benefit from the metal chassis. Users needing MIDI connectivity alongside guitar inputs get both in one unit.
Home studio owners on a budget who still want 192kHz resolution will appreciate the specs-to-price ratio.
For whom it’s bad
If you need multiple headphone outputs for both players, the single headphone jack is limiting. Mac users report occasional compatibility issues requiring a USB hub. The phantom power switch on the rear panel is inconvenient for frequent switching.
8. Arturia MiniFuse 4 – Premium Build with Extensive I/O
Arturia MiniFuse USB Audio & MIDI Interface, MiniFuse 4
4 inputs: 2x combo XLR/Inst/Line + 2x Inst/Line
4 balanced outputs
2 headphone outputs
USB hub
5-year warranty
Pros
- Excellent sound quality
- Very low latency at 32 samples
- 5-year warranty
- Powerful headphone amp
- Built-in USB hub
- Comprehensive software bundle
Cons
- iPad pass-through power not supported
- Headphone volume knobs close together
- Premium price point
The Arturia MiniFuse 4 combines premium build quality with extensive I/O options. When I tested it for two-guitar recording, the sound quality immediately impressed me—clean, detailed, and accurate across both inputs.
Four inputs give you flexibility beyond two guitars. Two combo inputs handle XLR, instrument, or line signals, while two additional TRS inputs accept instruments directly. This means you can record two guitars and have inputs available for other sources.
Two independent headphone outputs with separate volume controls let both players monitor at comfortable levels. The powerful headphone amp drives high-impedance headphones without strain, which is a real advantage for critical listening.
The built-in USB hub provides two USB-A ports for connecting controllers or drives. This eliminates the need for a separate hub, keeping your setup cleaner. The 5-year warranty reflects Arturia’s confidence in build quality.
For whom it’s good
Guitarists who want premium build quality and extensive I/O will find the MiniFuse 4 compelling. Those needing two independent headphone outputs for monitoring will appreciate the dedicated outputs. Users who value long-term reliability benefit from the 5-year warranty.
Producers who want a comprehensive software bundle get Ableton Live Lite, Analog Lab Intro, and other tools. The low latency performance suits real-time tracking and monitoring.
For whom it’s bad
If your budget is limited, the premium price may be hard to justify. iPad users should note that pass-through power is not supported. Those who only need two inputs and no additional features can find equally good sound quality at lower prices.
Buying Guide: Choosing an Audio Interface for Two Guitars
Recording two guitars at once requires specific features that not every interface provides. Here is what matters most when selecting the right interface for dual-guitar recording.
Two Independent Hi-Z Instrument Inputs
This is the non-negotiable requirement. Guitars output high-impedance signals that need Hi-Z inputs to sound correct. If you plug a guitar into a standard line input, you lose high frequencies and dynamics. For recording two guitars, you need two Hi-Z inputs, each with its own gain control.
Combo inputs that accept both XLR and instrument signals work well, as long as they have a Hi-Z switch or auto-detect instrument level. Some interfaces label these as instrument or Inst inputs.
Direct Monitoring and Zero-Latency Monitoring
When two guitarists play together, they need to hear themselves in real time. Latency—the delay between playing a note and hearing it through the speakers—disrupts timing and feel. Look for interfaces with direct monitoring, which routes the input signal directly to outputs without going through the computer.
A mix control lets you blend the direct signal with the DAW playback, so both players hear their guitars and any backing tracks. This is essential for comfortable tracking.
Preamp Quality and Gain Range
Clean preamps matter more than many guitarists realize. When both inputs are active, noise from either preamp adds together. Budget interfaces sometimes exhibit hiss or interference when both channels are driven hard. Mid-tier and professional interfaces isolate channels better.
Gain range matters for different guitar types. Single-coil pickups need less gain than humbuckers, and active pickups need even less. Preamps with wide gain ranges accommodate various guitars without clipping or excessive noise.
Bit Depth and Sample Rate
Most modern interfaces offer 24-bit audio with sample rates up to 192kHz. For guitar recording, 24-bit/48kHz is sufficient for most applications. Higher sample rates consume more processing power and storage without audible benefit for typical guitar signals.
If you plan extensive processing—pitch correction, amp simulation, or heavy compression—the extra headroom of 192kHz can help. For straight recording, it is not essential.
DAW Compatibility and Driver Stability
Driver quality varies significantly between manufacturers. Poor drivers cause latency spikes, dropouts, and crashes that ruin recording sessions. Focusrite, MOTU, and Audient have strong reputations for stable drivers on both Windows and Mac.
Check compatibility with your preferred DAW before purchasing. Most interfaces work with major DAWs like Ableton Live, Pro Tools, Logic Pro, and Cubase, but specific features like loopback or DSP processing may have requirements.
Software Bundle Value
Many interfaces include software that would cost hundreds separately. Focusrite’s Hitmaker Expansion, Arturia’s Analog Lab Intro, and Audient’s Cubase LE provide real value for guitarists starting out. If you need a DAW, plugins, or amp simulations, the included software can offset the interface cost.
Frequently Asked Questions
What audio interface can record two guitars at once?
Any interface with at least two Hi-Z instrument inputs can record two guitars simultaneously. The Focusrite Scarlett 4i4, MOTU M4, and Behringer UMC404HD handle dual guitar recording well, routing each guitar to a separate track in your DAW.
How do I record two guitars at the same time?
Connect each guitar to its own input on a two-input (or more) interface. Enable monitoring on both channels, set gain levels independently, and configure your DAW to record both inputs as separate tracks. Both players hear themselves through headphones connected to the interface.
Do I need two inputs to record two guitars?
Yes, you need at least two inputs to record two guitars simultaneously onto separate tracks. Interfaces with only one input can record one guitar at a time, requiring separate takes that lack natural interplay between players.
What is direct monitoring and why does it matter for guitarists?
Direct monitoring routes your guitar signal from the interface input directly to outputs without passing through the computer. This eliminates latency, letting you hear your playing instantly. For dual recording, both players need direct monitoring to stay in time with each other.
Can I record two guitars with a Focusrite Scarlett Solo?
No, the Scarlett Solo has only one instrument input. You can record one guitar and one microphone simultaneously, but not two guitars. The Scarlett 2i2 or 4i4 is required for dual-guitar recording with Focusrite interfaces.
Final Verdict
Recording two guitars simultaneously captures musical moments that overdubbing cannot replicate. The Focusrite Scarlett 4i4 4th Gen stands out as the most versatile choice, offering Auto Gain, Air mode, and four inputs at a reasonable price. For those prioritizing driver stability and professional sound, the MOTU M4 delivers exceptional performance. Budget-conscious guitarists will find the Behringer UMC404HD provides outstanding value with four Midas preamps.
When choosing audio interfaces for recording two guitars, prioritize two independent Hi-Z inputs, reliable direct monitoring, and clean preamps that handle both channels without noise. The eight options covered here meet these requirements, letting you capture authentic dual-guitar performances in your home studio.